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Bio:
Date of birth (location)
28 September 1967
Tenafly, New Jersey, USA
Regardless of what plum assignments her acting future holds, Mira Sorvino will likely never deliver a more moving (or sincere) performance than the one she gave on Oscar night, 1996. Looking like European royalty, Mira Sorvino graciously accepted her Best Supporting Actress statuette with a heart-felt dedication to her actor father. "When you give me this award, you honor my father, Paul Sorvino, who has taught me everything there is to know about acting," she declared. "I love you very much, Dad." At that point, Papa Sorvino broke into tears. It was great TV.
As her poised and articulate acceptance speech demonstrated, Mira Sorvino is a far different woman from the air-headed hooker she played to the Oscar-winning hilt in Woody Allen`s Mighty Aphrodite. In fact, Sorvino almost wasn`t allowed to audition for Allen because the film`s casting agents deemed her too refined to play a tacky call girl. Their concerns were not unfounded, as nothing on the actress`s résumé spoke to her ability to fulfill the demands of the role. Raised in New Jersey, far from Hollywood`s glittery distractions, Sorvino spent much of her childhood with her nose in a book. Her father, a character actor whose many credits include roles in Goodfellas and Nixon, had always discouraged Mira and her two siblings from acting professionally because he wanted them to grow up without the psychological strain of child stardom_the so-called "Danny Bonaduce Syndrome." So Mira Sorvino concentrated on her studies and, after high school, she was accepted at Harvard University, where she earned a degree in East Asian Studies. During a year abroad, in Beijing, she learned to speak fluent Mandarin.
Despite her father`s anxiety about his children following in his professional footsteps, Mira Sorvino had been in student productions throughout high school and college. Now, as an adult, she moved to New York and tried to act professionally. She spent the next three years doing the struggling actress-waitress thing and working as a production assistant for Robert De Niro`s Tribeca film company. In 1992, Sorvino landed a job as third assistant director on her director friend Rob Weiss`s independent film Amongst Friends. During the course of production, Mira Sorvino was promoted first to casting director, then to associate producer, and, finally, to the film`s female lead. Her performance as an ex-con`s devoted girlfriend marked her auspicious feature-film debut and generated positive notices during its screenings on the film-festival circuit.
Directors Whit Stillman and Robert Redford were among the industry figures whose attentions were piqued by the budding actress`s screen presence. Stillman tapped Sorvino`s facility with languages by casting her as a translator in Barcelona (1994); Redford directed her in her first studio film, Quiz Show (1994), in which she played Rob Morrow`s brainy, long-suffering wife. Next up, Sorvino again relied on her proficiency with accents (and dye jobs) in her star-making turn as Linda, the kindhearted prostitute and biological mother of Woody Allen`s adopted son in Mighty Aphrodite. Mira Sorvino succeeded in stealing the spotlight from her co-stars, Allen, Helena Bonham Carter, and F. Murray Abraham.
In 1996, Mira Sorvino gave stand-out performances as Matt Dillon`s love interest in Beautiful Girls, and as the blonde Marilyn to Ashley Judd`s brunette Norma Jean in HBO`s Norma Jean and Marilyn. The following year delivered up roles in the bubble-brained comedy Romy and Michele`s High School Reunion, with Janeane Garofalo and Lisa Kudrow, and the horror flick Mimic. Her star on a steady ascent, Sorvino banked $2 million to star opposite Asian action star Chow Yun Fat in the 1998 thriller The Replacement Killers. 1999 dawned with a starring role opposite Val Kilmer in the romantic drama At First Sight, and later in the year, she rounded out the ensemble cast of Spike Lee`s Summer of Sam
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Quotes:
"There`s a side of my personality that goes completely against the East Coast educated person and wants to be a pin-up girl in garages across America...there`s a side that wants to wear the pink angora bikini!"
I had a Christian upbringing - it was all about sin and guilt. I was very happy just kissing people. I was like the make-out queen - not even second base.
You know how in high school you do these plays and people come up after the show and they`re really excited for you? Well, that`s what`s happening to me right now.
Does any human being deserve 20 million dollars for anything they do short of finding the cure for AIDS or cancer? I mean, that amount of money is so enormous that I think deserving it falls out of the question.
Wanting to be famous is a very weird end goal.
I couldn`t believe a conscientious God would let so many people get killed. These things blew my mind. In a way, I couldn`t understand the world.
I love my father, but to forever be the appendage to him is a little hard to take.
I was a very good student and not very smart about hiding it. In a very small school if you always raise your hand, people hate you. I also had this added thing where people would be like, "Oh, you think you`re so great because you`re the daughter of an actor." I lived in sort of a medium community. There were some wealthy and some working-class people in public school, and that would create a kind of a weird vibe sometimes.
People often say, "You are smart, so why are you playing dumb?" Well, first of all, none of us are that dumb, or that smart. I remember doing something this last week that was very dumb and I wrote an apology letter for it, it was that dumb, horrifying!
When one is single one learns more about who you are at that point. When you`re with someone all the time, you don`t even examine who you are, what you need to do. So I like exploring `This is who Mira Sorvino is.` Someone who`s not joined at the hip to Quentin Tarantino.
Yeah. They`re never easy to do. I don`t like doing sex scenes! I feel they`re really miserable to make.
Unfortunately any performing art needs an audience and the audience to some extent dictates the success of the performing artist or the piece.
I think we`re all maybe prey to insecurity about our looks-- everybody wants to be thought of as attractive and a lot of us feel like we aren`t. But since my initial goal was never to be a big movie star, then I don`t see making those compromises in order to mold myself into this girl that everybody loves. There`s a million wannabes in L.A. who look far more beautiful than I could ever be.
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