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Bio:
Date of birth (location)
27 March 1963
Knoxville, Tennessee, USA
In January of 1991 a film titled Reservoir Dogs (1992) hit the Sundance Film festival. The writer-director was a first-timer by the name of `Quentin Tarantino` . The film garnered critical acclaim and the director became a legend in the England, UK and the cult film circuit. Three years later he followed up `Dogs` with the film Pulp Fiction (1994). `Pulp` premiered at the Cannes film festival, where it won the coveted `Palme D`Or` the virtual equal of the Best Picture at the Academy Awards. At the `93 Academy Awards, `Pulp` was nominated for the Best Picture Oscar, in addition Best Director and Best Original Screenplay, among others. Tarantino and writing partner Roger Avary came away with the award only for Best Original Screenplay. (Where Roger uttered his now famous line, "I`ve gotta go pee".) In 1995, Tarantino directed one fourth of the Anthology Four Rooms (1995) with friends and fellow auteurs Alexandre Rockwell, `Robert Rodriguez (I)` , and Allison Anders. That film was released on December 25th in the United States to very weak reviews. This is mainly due to the heavy cutting of the first two segments and the introduction which make much of the plotline unintelligible, and creates a complete mess out of the second segment, directed by Alexandre Rockwell. The best two segments of the film are Robert Rodriguez`s and Tarantino`s. Tarantino`s next film was From Dusk Till Dawn (1996), a crime/vampire film which he wrote and co-starred with George Clooney. The film did fairly well theatrically.
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Quotes:
(at MTV Movie Awards 1994) as he won Best Picture for _Pulp Fiction (1994)_ ) "Pop quiz, hotshot: you go to the awards ceremonies all year long; you keep losing to Forrest Gump (1994)! It`s really annoying the hell out of you - what do you do? You go to the MTV Awards!"
(after "rival" director Guy Ritchie married Madonna) "I guess I`ll have to marry Elvis Presley to get even."
"If I`ve made it a little easier for artists to work in violence, great! I`ve accomplished something."
"When people ask me if I went to film school I tell them `no, I went to films.`"
(on using surfing music when hating the surfing culture) "It`s like surf music, I`ve always like loved that but, for me, I don`t know what surf music has to do with surf boards. To me, it just sounds like rock and roll, even Morricone music. It sounds like rock and roll Spaghetti Western music, so that`s how I kind of laid it in."
"Movies are my religion and God is my patron. I`m lucky enough to be in the position where I don`t make movies to pay for my pool. When I make a movie, I want it to be everything to me; like I would die for it."
"First off, I`ve always thought of the black suits as mine, so I don`t think of them as Agent Smiths, I think of them as Reservoir Dogs with less cool sunglasses. The similarities between the fight sequences never occured to me until I had a director`s screening and Luc Besson turned up with Keanu Reeves as his guest. I watched Keanu watching and suddenly I felt it." - on the comparison between Kill Bill`s group fight and Neo v`s 100 Agent Smiths
"Sure, Kill Bill`s a violent movie. But it`s a Tarantino movie. You don`t go to see Metallica and ask the fuckers to turn the music down" - on media criticisms of violence in his movies
"What if a kid goes to school after seeing Kill Bill and starts slicing up other kids? You know, I`ll take that chance! Violent films don`t turn children into violent people. They may turn them into violent filmmakers but that`s another matter altogether" - on media criticisms of violence in his movies
"If you`re a film fan, collecting video is sort of like marijuana. Laser discs, they`re definitely cocaine. Film prints are heroin, all right? You`re shooting smack when you start collecting film prints. So, I kinda got into it in a big way, and I`ve got a pretty nice collection I`m real proud of." - On collecting movies.
(On how to take the violence in Kill Bill: Vol 1. (Re: The final duel with Lucy Liu)) "It`s supposed to be kind of amusing and poetic at the same time. And also just a teeny-tiny bit solemn. When you see her head, it`s funny. And then her line, "that really was a Hattori Hanzo sword.," that`s funny. But then, the next shot is not funny, when she tips over and Meiko Kaji is singing about revenge on the soundtrack. So, it`s all together. Funny. Solemn. Beautiful. Gross. All at the same time."
"Going into a videostore and going through the videos, looking at every title they have, trying to find some old spaghetti western, that`s gone." - on becoming famous
"I have an idea for a Godzilla movie that I`ve always wanted to do. The whole idea of Godzilla`s role in Tokyo, where he`s always battling these other monsters, saving humanity time and again- wouldn`t Godzilla become God? It would be called Living Under the Rule of Godzilla. This is what society is like when a big fucking green lizard rules your world."
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